Which Bruce Album is Best?

Started by The_Big_Come_Up, May 26, 2008, 11:50 AM

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The Big Come Up

I've been on a bit of a Bruce kick recently, and after much deliberation, I have concluded the best Bruce Springsteen Album to be....

Darkness on the Edge of Town

Discuss  :)

ycartrob

I have to say, Born to Run is my favorite Springsteen album. It was one of the first albums I got for Christmas when I was like 12. I could say it's all because of Jungleland, but there's some sentimentality with me and that whole record, from start to finish. It's harder for me to judge older records like that, b/c I don't base it solely on the music; that's the thing about music (to me), is it the music or what the music reminds you of? Where you were, what you were going through, who you knew, how that certain record helped to deal with or cope with A,B,C, etc...  Born to Run is one such record.

However, there are times, when Nebraska is my favorite.

my other choices, in no particualr order:

The Wild, the Innocent & the E Street Shuffle
Greetngs from Asbury Park, NJ
Darkness on the Edge of Town

EC

darkness on the edge of town and nebraska

tied.

petemoss

Darkness on the edge of town.

Chills

After several sleepless nights, soul-searching and imagining a "what would I say if someone held a loaded gun to my head and forced me to choose one Bruce-album as the best"-situation, my vote goes to...

Darkness

Although the live-versions soon blew the album ones out of the water.

Born To Run comes in second
Wild, The Innocent is third (with a nomination for best side of vynil ever (Incident On 57th - Rosalita - NY City Serenade anyone??)

All this considering Live 75-85 is out of competion.

corey

This is perfect timing. My wife and I both decided several days ago that we both kinda like some Bruce, but not all Bruce. Most of my idea of The Boss is what I was bombarded with as a child. Mid-80s, Born in the USA Boss. Hence, I've never been all that fond...

But in the last few years, songs like "Born to Run" and "Thunder Road" have caught my attention. AND, it seems like a bunch of folks that I listen to were highly influenced by the Boss (DBT and THS).

Patterson (from DBTs) recently did a set in Athens where he played quite a bit of "Darkness on the Edge of Town". There were several Athens bands performing a bunch of songs by their favorite artists. Also, his solo record, "Killers and Stars" gets compared to "Nebraska" all the time since it's an acoustic album made in his kitchen.

ANYWAY, keep these recommendations coming. I almost grabbed the Live 75-85 album a couple of days ago, but I've been doing some heavy thinking about which I should get. I'm fond of a good live comp, but I'm thinking I may start with a particular album this time.

MarkW

I like Greetings, Born to Run and Nebraska for very different reasons, with Darkness and The River next up.

I'm seeing him live for the first time this Friday.  I may explode with excitement before then, however.

Live 75-85 is unbelievably good.
The trouble with the straight and the narrow is it's so thin, I keep sliding off to the side

dragonboy

God will forgive them. He'll forgive them and allow them into Heaven.....I can't live with that.

The DARK

I'm seeing a lotta love for Darkness here, but my vote goes to The Wild, The Innocent, and the E Street Shuffle.
In another time, in another place, in another face

The Big Come Up

I really, really love Born to Run too. That was the first Bruce album that really stuck with me at first listen. But overall, musically I feel Darkness is his best overall effort. To me Greetings and The Wild, The Innocent and the E Street Shuffle are very original, fun R&B infused records, Born to Run is a nearly perfect, detailed record, but Darkness is the best overall record of them all. Bruce set out to convey a theme and his own sound, and the overall feel and tone of that record is so powerful it hurts to listen to. Songs like "Badlands" and "The Promised Land" are the kind of fist-pumping anthems that are sort of universally applicable. Everyone has been stuck somewhere or in something holding them down, or trapped by the burdens of life, and those two songs sum up the essence of resilience almost perfectly.

Oh. and "Streets of Fire"  :o

and to think what the album would be with "Fire" and "Because the Night" included....

Goat Boy

I'll have to go with The Wild, The Innocent.  Perhaps overexpsoure has spoiled Born To Run somewhat.  Perhaps I'm at the age where I bascially identify less and less with the stories and the characters and more with the trapped claustrophobic desperation of Darkness (shit, that's cheered me up!).  The Wild is just such a joyous record and his swansong with his greatest ever band.  Vini Lopez especially should be mentioned as a fantastic, idiosyncratic drummer whose style perfeclty accentuated Bruces NJ narratives.  Max Weinberg is a plodding and pedestrain 4/4 rock drummer in comparison.  Something was lost when Bruce went for the more commercial sound of Max and the E Street Band in general.  Lost forever I think.  Check out the Live At The Main Point 1975 bootleg and the near 20minute version of New York City Serenade for the stunning proof of what that version of the band could do.  Incredible really.  And it also has a fantastic rendition of Dylans I Want You.  Fuck it, just GET IT.  

Like I said, I prefer Darkness to Born To Run today even if the production is a bit sterile.  The songs stand up and Racing In The Street will always be something very special to me.  Damn, that song spoke to me during a difficult time in my life like few others.  

And, as has been noted above, the second side of The Wild is one of the all time greatest ever.  

Killgies

Nebraska. I'm not a huge Bruce fan but I really like this album.
"Aren't you a little short for a stormtrooper?"

Chills

QuoteI'll have to go with The Wild, The Innocent.  Perhaps overexpsoure has spoiled Born To Run somewhat.  Perhaps I'm at the age where I bascially identify less and less with the stories and the characters and more with the trapped claustrophobic desperation of Darkness (shit, that's cheered me up!).  The Wild is just such a joyous record and his swansong with his greatest ever band.  Vini Lopez especially should be mentioned as a fantastic, idiosyncratic drummer whose style perfeclty accentuated Bruces NJ narratives.  Max Weinberg is a plodding and pedestrain 4/4 rock drummer in comparison.  Something was lost when Bruce went for the more commercial sound of Max and the E Street Band in general.  Lost forever I think.  Check out the Live At The Main Point 1975 bootleg and the near 20minute version of New York City Serenade for the stunning proof of what that version of the band could do.  Incredible really.  And it also has a fantastic rendition of Dylans I Want You.  Fuck it, just GET IT.  

Like I said, I prefer Darkness to Born To Run today even if the production is a bit sterile.  The songs stand up and Racing In The Street will always be something very special to me.  Damn, that song spoke to me during a difficult time in my life like few others.  

And, as has been noted above, the second side of The Wild is one of the all time greatest ever.  

I agree with everything you said here.

Both Born To Run and Darkness seem to have a somewhat flawed production. BTR a little too glossy, Darkness a little too sterile. It's like they were unable to capture THAT much passion. The Wild, The Innocent on the contrary sounds exactly as it should and Vini Lopez is the perfect drummer for the early (Van Morrisson-esque) Bruce.

Though I do think you're a little to harsh on Max Weinberg. For me, he's the perfect fit for the more direct rocking Bruce.  

Anyway, we agree that those who were turned off by Born In The USA should give the Wild, The Innocent a spin. They might be in for a surprise.


Goat Boy

Quote


Though I do think you're a little to harsh on Max Weinberg. For me, he's the perfect fit for the more direct rocking Bruce.  

Max is alright.  He's just a meat and potatoes drummer that's all.  It was a calculated move on Springsteen's and Landaus part to get in a simpler tub thumper to go along with the Born To Run songs.  Whilst not necessarily a bad thing it is what it is.  You can see it on the Hammersmith Odeon 1975 DVD for example.  Check him out during Clarence's solo on Jungleland.  Now Vini would have taken that to another level but Max can't you know?  He just doesn't have it in him.  At moments like that they definitely missed Vini I feel.   It makes me laugh as well when I hear Max talking about that drum break on Born To Run that he's never been able to replicate.  You know that really quick, jazz bit during the instrumental break?  Poor Max!

I agree though that he was a better fit for that version of the E Street Band it's just that I happen to think the earlier version of the band was slightly more to my taste.  But hey, they were/are still one of the all time great live acts and by 1975 they were colossal.

RIP Phantom Dan

Ghosts_on_TV

Some girls mothers are bigger than others girls mothers...

red

QuoteNebraska and Greetings...
My sentiments exactly.  Great minds... ;)


Ghosts_on_TV

Quote
QuoteNebraska and Greetings...
My sentiments exactly.  Great minds... ;)


Nice!  8-)
Some girls mothers are bigger than others girls mothers...

lessintent


Jbones72

QuoteBTR... i can't help it.

Also BTR for me. It was the first album I got when I was a kid, I still get blown away when I listen to it. But when I heard the early stuff (Greetings and Wild, also Tracks disc 1 much later on) I started to appreciate the original band a lot more. I've also always loved Nebraska, especially "Johnny 99"

Hope he breaks out some rare, early stuff when I see him on 7/27 8-)

AllyDee

Nebraska





Devils and Dust was alright...